FFFoxy Podcast #29

The Native Cats “Cavalier” Dallas LP (R.I.P. Society/Ride the Snake)

Public Speaking “Salesman” Blanton Ravine CD (Fabrica)

Righteous Acid “Side A” (excerpt) Righteous Acid CS (Space Slave Editions)

Edibles “Midnight Movie” Other Minds Meet Inner Space LP (DNT)

DJ DJ Tanner “Untitled” Home Entertainment CS (DNT)

Row “Tinier Than Description” Strachan CS (Power Moves Label)

Jay Batzner “Near Burning” Electronic Music Midwest CD (Irritable Hedgehog)

Clay Cantrell “End of a Day” High On The Gallows CS (House of Alchemy)

Ben Von Wildenhaus “Bad Mofo” How He Performs CS (Psychic Mule)

Black Dirt Oak “Demon Directive” Wawayanda Patent LP* (Mie Music)

Peter Gutteridge “Planet Phrom” Pure 2LP (Xpressway/540 Records)

The Mausoleums “Causeway” The Tollbooths CS (Chaos of the Stars)

Astor “Side B” (excerpt) Inland LP (Kye)

G Sweems "Side A"(excerpt) Treasure Island CS (Noumenal Loom)

Von Himmel “Cyborg Kundalini” weltraumrückführungsübereinkommen LP (Sloowax)

Limbus 4 “Dhyana” Mandalas LP (Wah Wah)

Alice Coltrane-Turiyasangitananda “Rama Rama” Divine Songs LP (Tummy Tapes)

Sheriff Lindo and the Hammer “Eastern Bloc” Ten Dubs That Shook The World LP (EM Records)

Giant Claw “Frightmare” Tear In Static CS (Singapore Sling Tapes)

Marcus Rubio “On Texas Recession” Rooms CS (Prairie Fire Tapes)

Snailpoison “Ektophormatron" Live in the Hatnhimen Cave CS (Dub Ditch Picnic)

FFFreakout #392 (Live on 12/26/13)

Lou Reed "City Lights" from The Bells
Body/Head "Actress" from Coming Apart
Bill Callahan "Small Plane" from Dream River
Butthole Surfers "Creep in the Cellar" from Rembrandt Pussyhorse
Alexander "Skip" Spence "Cripple Creek" from Oar
Fire! Orchestra "Exit! Part One" from Exit!
Captain Beefheart & The Magic Band "Click Clack" from The Spotlight Kid
Elizabeth Johnson "Sobbin' Woman Blues" from American Primitive Vol. II: Pre-War Revenants (1897-1939)
Counter Intuits "No Computer Blues" from Sheets of Hits
Teenage Fanclub "Alcoholiday" from Bandwagonesque
My Bloody Valentine "If I Am" from MBV

FFFavorite Albums of 2013

Here is the follow-up to our previous list of favorite tapes of the year. This is a list of twenty albums, both new and reissued works, that we played on our podcast show throughout the year that truly captured our attention and imagination. As we mentioned before, there are a number of other artists, releases, and labels that we really appreciated and strongly endorse that are not represented on this list, and we encourage you to peruse our playlists to get a sense of what we were covering and playing on our show. We listened to an insane amount of music during the year, so we feel like any release we played on our podcast show is more-or-less a "favorite" during any given month. We hope that you'll follow the links provided to find out more about each of these releases or, better yet, support some of these artists and labels by purchasing their albums. If possible, hit up your local independent record store or, if you're in the sticks, check out these fine mailorder sites: Boomkat, Eclipse, Experimedia, Forced Exposure, Fusetron, Mimaroglu, Volcanic Tongue.  As always, thanks for looking & listening.  

Rashad Becker - Traditional Music of Notional Species Vol. 1 (Pan)

The most impeccable sounding and straight-up mind/ear-altering electronic album 

of the year. There's very little that compares to the strangeness and laser-sharp

clarity of this album. Despite all of the buzzing, moaning, and otherwise whirring

sounds that are darting every which way, there is something uniquely "organic"

in how this all comes together. You get the distinct feeling that some unidentified

species or objects may come flying out of your speakers at any given moment. 

Circuit des Yeux - Overdue (Ba Da Bing)

Haley Fohr has a voice that quite frankly scares the shit out of us.

Her husky vocals have the same bone-chilling quality of Nico's and on

Overdue, her strongest and most wide-reaching collection of songs to date,

she uses it to devastatingly beautiful effect.

Counter Intuits - Sheets of Hits (Pyramid Scheme)

Excellent collaboration between two of Ohio's finest D.I.Y. pop/rock 

ambassadors: Ron House (Great Plains, Thomas Jefferson Slave Apartments, etc.) 

and Jared Phillips (Times New Viking). On their first release together, they assembled

a batch of memorable songs that melds art-damaged punk songcraft with snarky 

lyrics and the type of tape grime you've come to know and love from basement 

primitivists of their stature.

Èlg - La Chimie (SDZ Records)

Some of the material on La Chimie appeared on the In Coro tape that we

had included on our year-end favorites list from last year. This release,

however, was fleshed out with several other rarities and unreleased tracks

to form something new and fresh. Èlg's pulsing and darkened electronic

songs have a compelling otherness that we've found in few others creating

music in this realm. Check out the recent feature show we did with Èlg

a few months back to get a sense of where he's coming from.  

The 49 Americans - We Know Nonsense (Staubgold)

 Essential LP reissue of this classic from the UK avant/DIY pop supergroup, 

The 49 Americans. Given the various members activities outside of this 

group, it's still hard to believe that they made an album as ridiculously

accessible and just plain giddy fun as We Know Nonsense. 

German Army - Endless Phonics (Monofonus Press) 

& Last Language (A Giant Fern)

We already expressed our fondness for German Army in our list of favorite

tape releases of the year, but we were also quite smitten by their recent

vinyl output, too. Endless Phonics is actually sort of a best-of collection

from their cassette output, while Last Language marks their first straight-

away vinyl release. The recordings are slightly cleaned up, but they 

still retain that dark and woozy industrial sound that German Army 

has perfected. 

Jandek - The Song of Morgan (Corwood Industries)

Nine CDs of solo piano performances seems a bit excessive by anyone's standards,

but damn if this wasn't a pleasant, and much-welcomed, surprise from a singular artist 

who continues to surprise well into his fourth decade of releasing music. There are a lot

of fond memories of Jandek's performance in Mankato tied up in hearing his sublime

piano wanderings on The Song of Morgan. A Jandek album that we had playing 

for months on end, and in the company of various folks, with little-to-no complaint.  

Peter Jefferies - The Last Great Challenge in a Dull World (De Stijl)

A timeless classic of downer rock brilliance and tender balladry from

Peter Jefferies backed by a cast of key movers in the New Zealand 

underground's Xpressway/Flying Nun circle. Though we may be a few 

songs short to date, we have vowed to play every song from this album on 

our podcast and regular Thursday show at some point because we're 

convinced that more people are bound to fall under its spell. 

Matt Krefting - High Hopes (Open Mouth)

Haunted and howlin' longform tapeworks from the skilled hand of

Matt Krefting. With High Hopes he took the ideas from his superb 

CD-R on Kendra Steiner Editions, Sweet Days of Discipline, 

and weaved them into engrossing sidelong pieces that come  

off sounding oddly like Victrola Concrète: never has broken 

glass sounded so beautiful.

Graham Lambkin & Jason Lescalleet - Photographs (Erstwhile)

The third and final installment of this Lambkin/Lescalleet trilogy and

undoubtedly the high-water mark of their work together so far. There's

a bit more musicality spread out over these two discs than previous efforts and 

the snatches of fly-on-the-wall audio of conversations with friends and family 

from their respective hometowns gives this album a captivating and very 

personal feel. Let's hope that the end of this trilogy simply marks the 

beginning of something new.  

Sean McCann - Music For Private Ensemble (Recital)

Easily the most ambitious and refined work in McCann's massive and already

impressive catalog. Here he plays composer of one, stacking layer upon layer 

of instrumentation to create a full orchestra sound. Sweeping string arrangements

and grand gestures abound, but injected with a decidedly avant impulse that

doesn't make this sound stuffy in the least bit. A major statement in every way. 

Michael Pisaro - The Punishment of the Tribe by its Elders (Gravity Wave)

Pisaro's compositions take a focused and patient ear with their spaciousness

and extended silences. He has a unique sense of pacing and development, 

though, that rivals Lambkin & Lescalleet's work in terms of its captivating

power. When his electric guitar downstrokes ring out in the second half 

of The Punishment . . . , you might get fooled into thinking it's 

the latest Earth album you're listening to.   

Primitive Motion - Worlds Floating By (Bedroom Suck)

As with previous efforts, Primitive Motion, the duo of Leighton Craig and

Sandra Selig, are still very much a minimalist pop group in every sense; however, the 

songs on Worlds Floating By show much more dynamic range and emotional depth. Basic 

programmed beats, cheap keyboards, and blurred vocals are still the core ingredients, 

but yielding hummable gems like "The Hill" and "Mortal Souls", which are two of 

our favorite pop songs right now.   

Rambutan - Inverted Summer (Fabrica)

Rambutan (aka Eric Hardiman) has been a mainstay on our podcast show 

since its inception. Hell, we even jacked our standard intro music from Rambutan's 

The Temple of Echo CD-R. While we have listened to loads of Hardiman's music

over the past several years, we still couldn't help but be blown away by 

Inverted Summer, his first LP release, with its gripping and well-crafted 

alien sound environments. His most accomplished work to date.

Ákos Rózmann - Images of the Dream and Death (Ideologic Organ)

Lavish 3LP reissue and re-recorded version of this beast of an electro-acoustic 

composition that was originally conceived during the mid-70's. Serene at various 

points, completely unsettling at others. This was cut to vinyl by Rashad 

Becker, whose own work might be picking up where Rózmann left off.  

James Rushford & Joe Talia - Manhunter (Kye)

At this point, virtually every Kye release is a "must have" for us here

at FFF. The Call Back the Giants, Good Area, and Anton Heyboar LPs

were all essential listening, but we found ourselves returning to Manhunter 

(a nod to the 1986 Michael Mann film of the same name) the most with its 

suspenseful ambience, mournful piano lines, mysterious found sounds, 

and plodding, yet seamless, forward motion.

Sky Needle - Debased Shapes (Bruit Direct Disques)

In the wake of Mad Nanna's visit to Mankato this year, we became

completely fascinated with all of the great underground musical happenings 

taking place in Australia. Part of this was fanned on by the arrival of the second 

full-length album from Sky Needle in our inbox. This Brisbane-based group of 

junk-punk improv jammers create an infectious blend of loosely-wound low-end 

grooves and kitchen-sink clatter with their homebuild instruments, and they 

happen to have, in Sarah Byrne, possibly our favorite female vocalist out there 

right now. 

Robert Turman - Beyond Painting (Fabrica)

A much-needed 2LP edition of a previously ultra-limited CD-R release

of Turman's gorgeous, and completely mind-erasing, loop-based compositions

and Middle-Eastern-tinged drones originally recorded back in 1990. Don't 

let that date fool you, though, this music is as fresh and alive as any 

contemporary zoner.

Von Himmel - Rock N Roll Animal/Traum Esel (Donkey Disk) 

& weltraumrückführungsübereinkommen (Sloowax)

This mysterious San Francisco-based group (?) are making some of the 

most amazing psych-drone-rock-whatsis right now. Somehow they seem 

to tie together every notable sub-underground ripple of activity from the 

last 40+ years: Krautrock, free-folk, noise, Dead C-styled drone-outs, 

you name it; and it's all presented in a real admirable way that recognizes 

and pays tribute to their fringe lineage. In this case, we couldn't 

choose one album over the other.    

Wolf Eyes - No Answer : Lower Floors (DeStijl)

Powerful return of the Wolf Eyes crew after a few year hiatus, now featuring 

a leaner, meaner group sound focused on tension-filled songcraft over

out-and-out noise bombast. Our favorite rock album of the year.

FFFreakout #391 (Aired on 12/12/13)

Unwound "Mile Me Deaf" from A Single History
Adderall Canyonly "We Are Everywhere At Once" from We Are Everywhere At Once
Scraps "Walking Down the Street" from Classic Shits 2006-2009
Alice Coltrane-Turiyasangitananda "Rama Guru" from Divine Songs
Great Valley "Sandra's Rage" from Continental Lunch
3 Toed Sloth "Non Alignment Pact" b/w I Didn't Know . . . 7"
Jim O'Rourke "Get A Room" from Insignificance
Wanda Jackson feat. Shooter Jennings "In the Cold, Cold Night" from Rockin' Legends Pay Tribute to Jack White
Sonic Youth "Superstar" from If I Were A Carpenter
The Breeders "Divine Hammer" from Last Splash
The Pixies "Letter to Memphis" from Trompe Le Monde
The Breeders "Bang On" from Mountain Battles
Clarence Henry "Ain't Got No Home" from The Best of Clarence "Frogman" Henry
Queens of the Stone Age "Smooth Sailing" from Like Clockwork
Los Straitjackets "Icky Thump" from Rockin' Legends Pay Tribute to Jack White

FFFreakout #390 (Aired on 12/5/13)

Blank Realm "Full Moon Door" from Deja What?
Television Personalities "Smashing Time" from Part Time Punks
Kitchen's Floor "Left" from "Deadshits" 7"
Nate Young "Blind Corner" from Regression: Between Worlds
Sky Needle "Radical Fire" from Rave Cave
Moondog "Theme and Variation" from The Viking  of Sixth Avenue
Sandoz "Higher Than That" from Chant to Jah
Beach Boys "Good Vibrations" b/w "Let's Go Away For Awhile" 7"
"Dance Along With Schweigert" 7"
The Kinks "A Well Respected Man" from Hit Parader 7"
Cherry People "And Suddenly" 7"
George Harrison "My Sweet Lord" b/w "Isn't It A Pity" 7"
Badfinger "Day After Day" b/w "Money" 7"
Dora Hall "Satisfaction" b/w "5 O'clock World"
The Tremeloes "Here Comes My Baby" 7"

 
Blank Realm - Falling Down the Stairs from BSR on Vimeo.

FFFavorite Tapes of 2013

As we've done during previous years, we compiled a list of some of our favorite tape releases that we played on our podcast show during 2013. In the weeks ahead, we will be doing the same for our other favorite LPs, CDs, reissues, etc. Even though we listened to literally hundreds of tapes throughout the year, we decided to keep this limited to twenty releases total. There are plenty of artists and labels whose work we fully appreciated and whole-heartedly endorse that are not represented herein, and we strongly encourage you to look back through our podcast playlists to check them out. For now, though, these were the tape releases, listed here simply in alphabetical order, that we found ourselves returning to most frequently. Please follow the label links to find out more information about each release and for ordering purposes. As always, thanks for looking and listening. 

Adderall Canyonly - Between the Rays Lies Fear But Also Joy (Jehu & Chinaman)

AdCan's releases on Tranquility Tapes and Rubber City Noise were 

also exceptional. This one, though, struck me as his most concise 

statement with its strong song-like elements. Along with his other

project, Oxykitten, and his label, Field Hymns, Dylan McConnell is

unleashing some of the most consistently interesting electronic music

in the cassette underground.

Brute Heart - The Cabinet of Dr. Caligari (Moon Glyph)

Brute Heart's original score, which was commissioned by the Walker Art 

Center, perfectly captures the eerie and ominous feel of this 1920 German 

silent horror film with its melancholic strings, ethereal vocals, and twinkling 

keys. There is a magical quality to this recording that connects, whether 

you have seen the film or not.

Cream Juice - Man Feelings (Orange Milk)

Both Keith Rankin (aka Giant Claw) and Seth Graham released some 

insanely good solo tapes this year too, not to mention the excellent work 

they do with their Orange Milk imprint, but there is something so

mind-bogglingly great about their work together as Cream Juice. 

Their barrage of electronic sounds are, on the surface, complex, 

yet their material is infused with a sense of pure fun and exuberance 

that is downright irresistible. 

Cyclops - The First Year (Goaty Tapes)

Murky basement pop from this collaboration between Russian Tsarlag

and SHV. Goaty had us sold at "a gruesome twosome of leathery 

grooves and toilet rock." 2014: The Year of Toilet Rock

Ecstatic Cosmic Union - XCU (Eiderdown)

Top-shelf psych drift and kraut groove from this transcendent Seattle

husband-wife duo, not to mention that Eiderdown has some of the 

most eye-popping artwork around. 

German Army - Holland Village (Dub Ditch Picnic)

German Army is hands-down one of the best groups to have emerged from 

the cassette underground over the past couple of years. This tape, along with 

their recent LP output, show them continuing to refine their brand of  

woozy industrial noir to more precise and emotionally resonant results. 

Headboggle - Hillboggle (Sicsic Tapes)

This tape features two of the most fascinating sidelong pieces we had 

heard all year. It has just the strangest arrangement of sounds that melds

classic musique concréte strategies with piano minimalism and hillbilly 

banjo plunk - like a hoedown at GRM studios - yet incredibly fresh 

and forward-thinking. 

Idea Fire Company & BRRR - The Terrible Comet Salt (Recital)

Mysterious soundtrack work to a short film by Anti-Natural member, 

Timothy Shortell, based on a 1902 German science fiction short story, 

here narrated on the A-side by The Shadow Ring's Darren Harris. We know 

it has been stated elsewhere that Harris could read from a damn telephone book 

and make it sound utterly arresting with his stark, baritone delivery, and that is 

most definitely the case here. The accompanying sounds are equally as compelling: 

warm electronic pulsations, mutant machine music, and crackling piano loops. 

(*Note: Legit tape photo forthcoming)   

Inez Lightfoot - Three Weaving At The Well (No Kings)

A much-needed reissue of the beautiful and otherworldly dream-folk 

transmissions of Jackie McDowell, who has now sadly put this project

to rest. Comes housed in No Kings always fetching risograph artwork.

Innercity - A Minor Princess (Goldtimers)

Expansive and fully immersive alien electronic sound worlds from

this Belgian artist who has released music on countless reputable

tape labels from around the globe. A massive blank-out trip.

Nathan McLaughlin - Karen Studies (Scissor Tail Editions)

McLaughlin's meditation on the work of Karen Dalton, specifically

her renditions of the traditional song "Katie Cruel" and Tim Hardin's

"Don't Make Promises." He completely deconstructs these songs, yet 

somehow captures the gritty texture of Dalton's voice and the timeless 

melodies of her playing with his reel-to-reel machine and banjo. One

of McLaughlin's most moving works to date.

Nite Lite - Pepper People (Tape Drift)

Phil and Myste French, formerly of Stunned Records, a label that was 

massively influential for us here at FFF, have been crafting some of 

of the most mesmerizing sounds under their Nite Lite moniker over the 

past few years. This tape picks up where their exquisite LP, Megrez, on 

Desire Path Recordings left off, blending found sounds with various

percussive elements and droning textures and an amusing wtf family folk 

closer in "Froggy". Comes packaged in the classic Stunned collage style 

replete with those memorable rounded edges and all.      

Piper Spray - Epigraph to the Bright Star Catalogue (Singapore Sling Tapes)

Hazy, retro-futuristic collage pop from the heart of Russia. Singapore Sling 

as been cultivating a distinctive aesthetic that is closely aligned with the 

excellent Orange Milk imprint.

Righteous Acid - Righteous Acid (Space Slave Editions)

These infectious, spiraling afro-funk-inspired jams came just in 

time to brighten the now long and frigid (soon to be) winter days. 

Another winner from Space Slave Editions, who put out a number of 

stellar releases throughout 2013. And Phil French artwork to boot!!

Sheldon Siegel - Three Euro Breakfast (House of Alchemy)

This tape features a handful of lengthy live tracks recorded during 

Sheldon Siegel's 2010 tour with Ignatz and U.S. Girls. This Belgian

trio moves between explosive free jazz ramp-ups and droning ethnic

folk scrabble with enough finesse and restraint to make those peak

moments sound like they're going to tear open the goddamn sky.

Powerful stuff!

V/A - Duets II (Tranquility Tapes)

Aside from the focus on duo aktion, the second installment of Duets,

much like the first, feels more like an annual report on the state of the 

experimental tape scene, bringing together a notable group of 

actively involved musicians, artists, and label heads that travel

in similar circles. If you are looking to get up-to-speed quickly,

these compilations are a great place to start.

V/A - Workers Comp. (All Gone)

A collection of blasted, no-fi pop & rock nuggets that'll leave you wondering

if the International Pop Underground has been reactivated and gone
and relocated to Detroit.

V/A - Taxidermy of Unicorns (Watery Starve)

Beautiful handcrafted double cassette edition, with zine and all, that

brings together four of the leading female voices in the international

cassette underground - all delivering their unique take on homespun 

dream-pop songcraft to form a cohesive whole. Best packaging

and overall presentation of a cassette release of the year. 

Weakwick - Neophyte (self-released)

Bad-ass noise rock pummel interlaced with squelching electronics 

from this dynamic under-the-radar Minneapolis duo.   

John Zuma St. Pelvyn - Lost Masters of the Shortwave Choir (Lighten Up Sounds) 

Prior to his show here in Mankato a few months back, we wrote something to the 

effect that John Zuma St. Pelvyn was a blues guitarist in some respects, 

but he was also someone hellbent on destroying the form. One of the more

original and completely underrated solo guitarist out there right now, 

Lost Masters showcases both the beautiful delicacy and hard-edged 

dissonance inherent St. P's playing style. 

FFFoxy Podcast #28

Primitive Motion “Skyline” Worlds Floating By LP (Bedroom Suck)

German Army “Communion With Form” Last Language LP (A Giant Fern)

Glass Random “I’m A Criminal” S/T CS (Singapore Sling)

Amateur Childbirth “Pripyat” Pripyat LP (Disembraining)

Counter Intuits “Stickin Pins” S/T LP (Pyramid Scheme)

Angie “Shared Futures” Turning LP (Easter Bilby / Rice is Nice)

Graham Lamkin “Abersayne” b/w “Attersaye” 7” (Kye)

Cyrus Pireh & Honduras “Concordia” (excerpt) S/T LP (Shinkoyo)

Rashad Becker “Dance II” Traditional Music of Notional Species Vol. 1 (Pan)

Seth Graham “Cream Masters” Creaky Clumsy CS (Tranquility Tapes)

Peninsula “la socarrada” b/w “los hornillos” 7” (Love the Chaos)

MJ Guider “Two Twenty-Two” Prima CS* (Constellation Tatsu)

Trouble Books “Stacking Spheres” Love At Dusk LP* (Mie Music)

Adderall Canyonly “The Witches of Christ” We Are Everywhere At Once CD (Debacle)

Lens “TG:DG (dub)” (excerpt) Visions Meet Light in the Cult House CS (Field Studies)

Chalaque "Simple Mathematics" (excerpt) Sounds From the Other Ideology LP (Golden Lab)

Luciernaga "Land of Four Corners" Land of 4 Corners CD-R (Tape Drift)

Spencer Dobbs "Paleface" Of Texas CD-R+Chapbook+CD-R (Anahuac Editions)

The Original Flowering Earth "Side A" (excerpt) Hosshin CS (Cave Recordings)

Xiphiidae "Side B" (excerpt) Pass Hidingly Seek LP (Aguirre)

Sindre Bjerga & Micromelancolié "Side A" Anaglyph #1 CS (A Giant Fern)

The Lost Domain "A Friend of my Brother's Wife" Blondes Chew More Gum 2LP (Negative Guest List)

FFFreakout #388 (Aired on 11/21/13)

Primitive Motion "Mortal Souls" from Worlds Floating By
Angie "Shadow Twin" from Turning
Counter Intuits " Time Was Update" from S/T
Michael Nesmith "Cruisin" from Infinite Rider on the Big Dogma
The Native Cats "I Remember Everyone" from Dallas
Peninsula "los hornillos" from "la socarrada" 7"
Tim Hecker "Radiance" from Virgins
The Jimi Hendrix Experience "May This Be Love" from Are You Experienced?
Tommy James & The Shondells "Crystal Blue Persuasions" from Crimson & Clover
"Eyes of the Tiger" from Hooked On Rock Classics
"Mobity Mosely's Months" from My Name Is Roosevelt Franklin
Camper Van Beethoven "Pictures of Matchstick Men" from Key Lime Pie
The Keystones "His Name is More Than a Swear Word" from Where It's At


Primitive Motion - Colours from BSR on Vimeo.

FFFoxy Podcast #27: Èlg and the Contemporary Franco-Belgian Vanguard

(Photo by Piotr Niepsuj)

Introduction by Èlg

Èlg "Notringo Indigo" La Chimie LP (SDZ Records) - 2013

Èlg "Armelle" b/w "Rendez-vous au fort de Queuleu" 7" (Le Vilain Chien) - 2007

Èlg "Haiku Picard" (unreleased) - 2010

Èlg "Something Big" Les Joyaux de la Couronne: Burt Bacharach CD (Le Vilain Chien) - 2010

Èlg "U.S. Girls remix" for Kraak Records - 2011

Reines d'Angleterre "Track 5" Globe et Dynaste CD/LP (Bo' Weavel) - 2012

Opéra Mort "Minuit Cerceuil" split w/ Decapitated Hed 7" (Spleen Coffin) - 2011

Naked Hug "Armless and Naked" b/w "Naked and Armless" 7" (Vauva) - 2013

(Backing track during talking segment: Èlg - Live at Cafe Oto - 2012)

Ignatz "Certainty" Can I Go Home Now? CD/LP (Fonal) – 2013

Taulard "Se sortir d'un faux pas" Taulard  CS (self-released) – 2011

Fusiller "untitled track" Les persistences paranoÏaques CS (Tanzprocesz) – 2011

Orphan Fairytale "Crybaby Needs a Hanky" Ladybird Labyrinth LP (Ultra Eczema) - 2009

Kaumwald "Stix" Hantasive EP (Opal Tapes) – 2013

Charlène Darling "My Home" Mourning Tooth CS (Les disques de l'oubli) – 2011

Tenniscoats "Mayotcha Ka" Kumo Koku Do 7" (Hôtel Rustique) – 2012

(Backing track during talking segment: Èlg - Live in Rennes at L'Atelier d'Aran - 2013)

TG Gondard "The Phalanx" Avontuur  CS (Not Not Fun) – 2011

Mim "La Mer Néant" As Far As I Compute CD (A1000p) – 2012

Miaux "Aeronaut" Aeronaut  7" (Ultra Eczema) – 2013

Bertrand Belin "Le Colosse" Bertrand Belin CD (Sterne/Sony BMG) – 2005

Plastobéton "A31" Glam Mort LP (Tanzprocesz / Eurochoc Prod) – 2004/2013

Toad "Bourrée à Solomagne" Toad CD (La Novia) – 2011

(Backing track during talking segment: Èlg - Live in Rennes at L'Atelier d'Aran - 2013)

Anne Laplantine "Jeudi" I Send You A MP3 7" (Lexidisc) – 2011

Tlön Uqbar "Elengassen" La Bola Perdida CD (Staalplaat) – 1999

Zazou & Bikaye "Signorina" VA – Ritual: Magnetic North CS (Touch) – 1985

The Dreams "Aloha Miami" Morbido LP (Kill Shaman) – 2011

Carageenan "Live at Lycaon, Bruxelles" (unreleased) – 2013

Gael Moissonnier "Aktion #1 (part 2)" (unreleased) - 2012
(Outro Music: Èlg "Blau Lunge/Sas/Pol Culte" Mil Pluton (Alter) -2012)

FFFreakout #387 (Aired on 11/14/13)

Oneohtrix Point Never "Problem Areas" from R Plus Seven
Sparkling Wide Pressure "Fall Back Into a Sea of Love" from FFFour KMSU
Ornette Coleman "Street Woman" from Science Fiction
Alice Coltrane "Blue Nile" from Ptah The El Daoud
Throbbing Gristle "Distant Dreams, Part Two" from Mission of Dead Souls
Trampled by Turtles "Drinkin' in the Morning" from Live At First Avenue
Talking Heads "Road to Nowhere" (early version) from Little Creatures (deluxe edition)
Faces "Ooh La La" from Ooh La La
Arcade Fire "Flash Bulb Eyes" from Reflektor
Tom Petty "Feel a Whole Lot Better" from Full Moon Fever
Alejandro Escovedo "Always a Friend" from Real Animal

Jandek, "Athens Saturday" review by Bill Shute of Kendra Steiner Editions

Bill Shute of Kendra Steiner Editions, who appeared on a few of our 

Jandek Study Group Overnight shows and whose work was featured on 

our podcast, has been one of the few writers out there to continue to provide 

thoughtful coverage of Jandek's recent output. We've said it time and time 

again, Jandek is producing some of the most ambitious and groundbreaking 

music of his long and storied career, yet there is a surprising lack of commentary 

that goes beyond the tired "outsider-with-a-detuned-guitar" insight. Bill is able 

to contextualize these works in a meaningful and engaging fashion, so we are thrilled 

that, as with The Songs of Morgan, he has kindly allowed us to re-publish his review of 

Jandek's latest live set, Athens Saturday. Like all Corwood Industries releases,

this 2-CD set can be purchased at a reasonable price ($12 U.S./$13 overseas)

from the most reliable mail order service around:

Corwood Industries

P.O. Box 15375

Houston, TX 77220

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Jandek’s appearance at the Orange Twin Conservation Community in Athens, Georgia was of great interest to me, primarily for two reasons: 1) it was the next show after the Austin, TX Jandek concert that I organized/curated in June 2012, so I was excited to see how Corwood would follow-up that stunning performance in Austin; and 2) Orange Twin seemed like a fascinating and unique venue. Here is a brief description (not a recent one, alas) of the concept of OT, quoted from a Google Sites article: 

The Athens, GA based Orange Twin is currently working on an “eco-village” on the northside of the town. The ultimate goal of the eco-village is to create a “pedestrian-based eco-village while preserving 100 acres of woodland five miles from downtown Athens.” Orange Twin’s vision statement is to live with one another and all forms of life, flora and fauna, in a way that respects all life, is considerate, and open to growth. The village would encourage diversity of all types. They hope to be understanding and open-minded to other’s ideas, they hope to learn and grow hand-in-hand, and to offer what they learn to others. They will also support each other, to encourage creativity, and to share their discoveries. They hope to create an integrated community that supports all aspects of life in a way that will not harm, but heal the planet. 

One uncommon aspect of the show’s organization was that ticket prices were lower if you DID NOT bring a car and carpooling was actively encouraged. AND if you bicycled there, you got a voucher for free food! Also, the amphitheater was an old Girl Scout Pavilion. Thus, this was going to be a fascinating venue for the show.

Corwood has now released the recording of the concert on a two-cd set called ATHENS SATURDAY, which has made waves in the Jandek community because for the first time, Corwood has released a show out of recording sequence. Many of us used to joke about Corwood having gotten to the end of 2006 in its schedule of Jandek live albums and how a particular show we enjoyed from 2008 or 2009 or whatever might get released by 2019 if we were lucky. Well, all that is over now…evidently, Corwood will be releasing live albums out of recording sequence…yet another wild card in the full-of-surprises Corwood/Jandek CD catalogue. After all, who was expecting a nine-cd set of solo piano earlier this year?

Of course, any performance titled WAITING TO DIE is probably going to be of a weighty and deep nature. I have previously made analogies to the process of a method actor in my descriptions of Jandek’s lyrics being given life in performance—-an actor finding hidden aspects of his/her psyche and then exploring character within the parameters of those areas. Much like the way in which the sparse but dense and rich dramatic texts of Harold Pinter or Samuel Beckett or late-period Tennessee Williams, which may seem skeletal and minimal on the page, become fully sketched out when inhabited by an actor, it seems to me that Jandek gets into a deep “performance zone” prior to recording or live performance and brings to life, “in character,” the existential monologues and dialogues of his texts. Many early critics of Jandek’s work did not seem to get that. Shakespeare is not “mad” because he wrote King Lear; Jim Thompson was not a murderer because he wrote “The Killer Inside Me.” Jandek explores deep places inside the psyche and explores profound existential questions—-questions about ultimate meaning and about identity and about the meaning of EVERY MOMENT of everyday life, not just the ones we designate as “important.” For many reasons, Jandek is one of my favorite contemporary poets–he just happens to bring his works to life through live performance, as part of a unique music-and-voice collage, whether we are talking about one of his own solo albums with guitar and voice or a live performance, as we have here with an ensemble, where the Rep is one voice, one thread woven through the quilt.

The text here (just google “Jandek, Athens, lyrics” and you can find an excellent transcription of the lyrics by “Greg F” if you want to read along) is a kind of interior monologue that splits into an interior dialogue. Someone once commented that the setting of most of Edgar Allan Poe’s works is the mind, and one could make a similar observation here, although as often happens with a Jandek lyric, it’s full of poetic phenomenological particulars….the matter-of-fact pieces of experience that tend to make up our days and nights: sitting in chairs, debating whether or not to do some mundane activity, wondering about ice chests and naps and baseball games and shoes and peaches. The central section of the piece features either a bickering couple, finding themselves taking the opposite sides out of habit and out of spite, or perhaps more likely an internal dialogue, as we question every move we make and undercut ourselves. Remember the old Warner Brothers cartoons where Elmer Fudd or some similar character has a devil on one shoulder and an angel on the other, both whispering into his ear, both trying to influence his behavior? Just imagine both of them INSIDE the narrator’s head, aspects of his own psyche.

The moods of the narrator’s flow of ideas and images is brilliantly mirrored by the musicians–in particular, the cellist and the bass clarinet player set the beyond-time pace early on and create a languid sound-canvas that the other musicians and the Representative himself swim in, sometimes diving to the bottom, sometimes coming to the surface, sometimes treading water, sometimes in pursuit of something in the water, always moving in relation to the other swimmers in a kind of underwater dance. While the tone is in many places solemn, it varies and is in some passages witty, mirroring the nature of the lyric. Jandek himself plays keyboards, set both to “acoustic” and “electric” and moves seamlessly between them. As part of an ensemble, his playing tends to be pointillistic, and he on occasion provides pianistic shading while delivering the lyrics…and often provides a keyboard “commentary” on the text between or right after particular lines. The subtle playing of guitarist Bradford Cox and percussionist Eric Harris should also be praised—though some referred to this as an “all-star” ensemble, there were no star turns at this performance, no showing off…just organic ensemble playing (by musicians who are listeners first), strands in the weave. Overall, this is undulating yet understated music that breathes. Those who liked Jandek’s MAZE OF THE PHANTOM should like the music here, though this lacks the exotica element of PHANTOM.

Except for getting up to change CD’s in the middle of the performance, I lost any sense of time while listening to ATHENS SATURDAY. It took me into its world, almost in a cinematic way, and in a place beyond time, a place beyond time-keeping beats and traditional theme-variation-theme development of ideas, the next thing I knew, the album was over…and I had the sense of walking back into daily reality from some kind of wooded area within the mind…richer for having taken this journey.

WAITING TO DIE? We’re all waiting to die…and those of us who realize that find an incredible freedom once we stare into that void. We also realize that time’s-a-wasting….these dialogues are, in the end, time-killing….it’s best to do, to achieve. I have the feeling that an artist who has released 70+ albums has come to that realization long ago…but we all must keep making the commitment, keep silencing the doubting questions and the dissonant dialogues…

As this piece closes, the final three lines are:

TIME, THE END OF ALL HIS DAYS 
WAS STARING HIM IN HIS FACE 
AND HE SIMPLY COULD NOT LOOK AWAY

The performance WAITING TO DIE is no less than a musical and lyrical deep venturing into the psyche, airing some painful truths and putting the spotlight on aspects of the psyche that are not usually discussed—-not because they are evil or because they are incomprehensible , but because they are taken for granted. Jandek takes nothing for granted.